Cruella

EXCLUSIVE: In a recent Samba TV measurement, 783K U.S. households tuned into Universal’s The Boss Baby: Family Business on the studio’s streaming service Peacock over the four-day July 4th holiday weekend. That number for the DreamWorks Animation title beats the four-day Memorial Day debut of Disney’s live-action pic Cruella on Disney+ Premier, which clocked 686K U.S. households that
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Refresh for latest…: Universal’s F9 is gearing up to hit the $500M mark globally, a milestone it will cross on Monday as it becomes the first Hollywood movie to do so during the pandemic era, and the first since any studio film originally released during 2019. The Justin Lin-helmed title will also join China’s Hi,
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Refresh for latest…: International box office markets this weekend were again rife with holdovers doing solid business, while also awaiting a new major title to swing summer into full gear. Lionsgate/Millennium’s Stateside champ, The Hitman’s Wife’s Bodyguard was the only signifiant new opener this session with an estimated $7.8M in its debut in 21 overseas
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Refresh for latest…: With no major new releases, this was a strong holdover weekend at the international box office, led by last week’s champ, New Line/Warner Bros’ The Conjuring: The Devil Made Me Do It, followed by Disney’s Cruella and Paramount’s A Quiet Place Part II. In the case of Conjuring 3, it crossed $100M
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Refresh for latest…: While the horror genre was the biggest global draw this weekend, the results are far from horrific — and therein is something to be said about the communal experience of scary movies. New Line/Warner Bros’ The Conjuring: The Devil Made Me Do It led the international box office with $26.8M from 43
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Saturday AM: Refresh for updates New Line’s The Conjuring: The Devil Made Me Do It is beating Paramount’s second weekend of A Quiet Place Part II, with an estimated $23.5M+ to $22M but there shouldn’t be any doubts: It’s a solid weekend at the box office, especially as the pandemic calms. Even No. 3 title, Disney’s Cruella is doing well,
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Disney+’s live-action 101 Dalmatians spinoff Cruella drew 686K U.S. households over the four-day Memorial Day holiday weekend according to today’s figures from Samba TV. It’s a number that’s 39% less than the 4-day Labor Day traffic for another Disney+ Premier title, Mulan, which pulled in 1.12 million U.S. households over Sept. 4-7, 2020. Both titles were available
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Refresh for latest…: It was a busy weekend at global turnstiles, with a particularly noisy start for Paramount’s A Quiet Place Part II. The John Krasinski-helmed sequel came out shouting with a $22M overseas debut in just 12 markets for a worldwide opening of $70.4M including the three-day $48.4M North American haul. AQP2 did better
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After being delayed 15 months no thanks to the pandemic, Paramount’s A Quiet Place Part II, directed by John Krasinski, finally hit the screen last night making $4.8M. That’s an amazing start: The first A Quiet Place back in April 2018 had Thursday night previews of $4.3M. Meanwhile, Disney’s Cruella, which is also available on Disney+ Premier for $29.99, grossed $1.4M
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When it comes to forecasting any opening weekend at this summer’s box office, the major studios should take a cue from the Joe Biden administration: under-promise and over-deliver on results. Not just here in the U.S. but around the globe, the box office remains in a funk. Several hurdles muddy the waters: The two biggest
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Just when it looked like studios were going back to a theatrical window release pattern with today’s news of Regal and Warner Bros.’ deal, Disney smashes that to bits. Disney is opening both of its key summer events pics Cruella and Marvel’s Black Widow simultaneously in theaters and on Disney+ with Premier Access (which is usually
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EXCLUSIVE: In its first 24 hours after dropping on Feb. 17, the trailer for Disney’s edgy live-action feature Cruella about the famed 101 Dalmatians villainess drew a very notable 71M views per sources. That’s a very exceptional number for a trailer dropping during the pandemic, even beating the 24 hour trailer viewership figures of pre-Covid theatrical releases Maleficent: Mistress
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